iRig Pro Quattro I/O Portable Audio Interface

Description

ProAudioStar
DJ GEAR
INSTRUMENT GEAR
LIVE SOUND
RECORDING
MICROPHONES
HEADPHONES
ACCESSORIES
SOFTWARE
LIGHTING
BUNDLES
Authorized Dealer - Full Warranty
iRig Pro Quattro I/O Portable Audio Interface
IK Multimedia Interface
- Brand New -
Description
Always be ready in the field
Have you ever found yourself mid-session missing a key cable or connection? Or worrying before, during, or even after a shoot that your work could be compromised by technical issues?
iRig Pro Quattro I/O will put those concerns to rest forever. It’s a professional-grade 4-in / 2-out portable audio and MIDI interface packed with everything you need for pristine field recording, content creation, streaming, podcasting and performing. Handle anything life throws at you without breaking a sweat.
Professional mobile recording interface/mixer
For iPhone, iPad, Android, Mac/PC, standalone
24-bit, 96 kHz operation
4 x XLR / 1/4" mic, guitar, line in with phantom power
2 x RCA, 3.5 mm line in
Built-in microphone
2 x balanced XLR outs
Headphone out with direct monitoring
Multitrack, stereo or mono operation
Standalone mixer mode
Built-in limiter & -12 dB safety mode
USB, 9VDC or battery power
Compact size, full stereo sound
The iRig Pro Quattro I/O will easily find a home in your camera bag or backpack. It comes with all you need to get started including a set of batteries, cables and camera stand adapter. which adds a pair of custom iRig XY mics for stunning stereo sound every time, without the bulk or expense of a larger mic setup. It also includes a windscreen, power supply unit and carrying case.
Ready for any scenario
As A Mobile/Field Recording Interface
Connect iRig Pro Quattro to desktops, laptops and mobile devices
Capture high-quality, multichannel audio up to 24-bit/96 kHz
Complete MIDI I/O for keys, drum machines, controllers and more
Full array of inputs and outputs for recording and performance
Works as a 4-input interface and a multichannel live mixer
MFi-certified to provide seamless performance with iPhones and iPads
As A Podcasting/Streaming Interface
STEREO mode mixes all sources to stereo for streaming or recording
MONO mode for streaming to all popular social media platforms
Monitoring with headphone out, volume control and direct monitoring
Loopback lets you duet your favorite videos easily
Loopback+ lets you mix in audio or route from app to app
As A Broadcasting/Video Interface
Turns your iOS or Android device into a fully featured field recorder
No SD card required, uses your mobile device or computer to record files
Onboard MEMS microphone that’s DSP-controlled for optimal sound
Battery powered for off-the-grid performance and reliability
Deluxe version includes stereo XY condenser mic capsules and windscreen
As A Standalone Mixer
Preamp and mixer with +48V phantom power for up to 4 condenser mics
Can be powered by 4 x AA batteries, USB or DC IN with optional PSU
Use the full set of inputs/outputs to capture and mix multiple sources
Send the mix to your DSLR camera and/or PA system for live performance
Mounts to a standard UNC ¼” camera thread
Mono, Stereo or Multichannel?
iRig Pro Quattro does all 3 at the flip of a switch. Stereo and Mono modes pre-mix up to 4 audio sources (RCA / 3.5 mm stereo line inputs (+ Loopback), XLR combo inputs and MEMS microphone) down to a stereo or mono track, which can be sent to your choice of streaming apps, DSLR camera or sound system.
Switching to multichannel mode, the XLR mic/Hi-Z instrument and mic/line combo jacks or RCA / 3.5 mm stereo line inputs are routed to channels 1 to 4 respectively, giving you 4 channels of audio to send to recording apps such as GarageBand or any DAW.
Custom mics for deluxe results
iRig MIC XY stereo microphones are available separately or as part of the iRig Pro Quattro I/O Deluxe edition. These condenser mics use a cardioid polar pattern in an XY formation for trouble-free stereo sound recording. You can also position the capsules in divergent mode, which is ideal for taking interviews.
With a frequency response of 20 Hz to 20 kHz and dynamic range up 145 dB SPL, your field recordings will always be natural, immersive and protected by Quattro I/O’s safety channel feature.
Always perfect recordings
In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2, but reduced by 12 dB as a backup in case the sound source unexpectedly overloads the main channels. Always succeed your mission to record an important event.
Add effects with Loopback+
Multichannel mode offers another advantage. Loopback+ is a powerful new feature that lets you route either or both channels 3 and 4 to audio apps such as MixBox, AmpliTube or VocaLive for processing and then route their outputs through the Loopback feature and into channels 1+2 going to your streaming app.
Now you can actually use these apps on your iOS or Android device as a front-end processor for all streaming apps. It’s like using them as a plug-in for more creative and professional-sounding streams.
Go pro all the way
For a little more, you get a lot with the iRig Pro Quattro I/O Deluxe edition. The value of the iRig XY stereo mic capsules alone is worth the upgrade. In addition to the pair of mics you’ll get the optional power supply, which you can also use to keep your iOS device charged during extended sessions. Plus you’ll get a custom carrying case to protect and transport your Quattro I/O and XY mics wherever your field work takes you.
Say goodbye to SD cards
No need to worry about managing and formatting storage media. Your iRig Pro Quattro I/O records pristine, digital audio directly to any mobile device. Stop digging around your gig bag for an SD card and start recording instantly. Then simply back up your work to the cloud seamlessly to share with others.
Features/Specs
Microphone Inputs 1-2
2 x balanced, XLR. Pin 2 : hot / Pin 3 : cold / Pin 1 : ground
Input impedance : 1 kOhms
Input level, min gain : 0 dBFS is obtained with a -1.5 dBu signal at the XLR input
Input level, max gain : 0 dBFS is obtained with a -55 dBu signal at the XLR input
Frequency response : from 10 Hz to 46 kHz within 3 dB (96 kHz sample rate), min gain
Dynamic Range : 103 dB(A), min gain
Phantom power : 48V / -4V
Built-in microphone
Type : MEMS
Polar pattern : omnidirectional
Frequency response : from 30 Hz to 20 kHz
Max SPL : 110 dBSPL
Sensitivity : -41.5 dB (1 kHz, 94dB SPL)
Instrument Inputs 1-2
2 x unbalanced, Hi-Z, TS 1/4” Jack, Tip : signal / Shield : ground
Input impedance : 1 MOhms
Input level, min gain : 0 dBFS is obtained with a +10 dBu signal at the TS input
Input level, max gain : 0 dBFS is obtained with a -43 dBu signal at the TS input
Frequency response : from 7 Hz to 46 kHz within 3 dB (96 kHz sample rate), min gain
Dynamic range : 103 dB(A), min gain
Microphone Inputs 3-4
2 x balanced, XLR. Pin 2 : hot / Pin 3 : cold / Pin 1 : ground
Input impedance : 1 kOhms
Input level, min gain : 0 dBFS is obtained with a -3 dBu signal at the XLR input
Input level, max gain : 0 dBFS is obtained with a -54 dBu signal at the XLR input
Frequency response : from 10 Hz to 46 kHz within 3 dB (96 kHz sample rate), min gain
Dynamic range : 101 dB(A), min gain
Phantom power : 48V / -4V
Line Inputs 3-4 (balanced)
2 x balanced, XLR. Pin 2 : hot / Pin 3 : cold / Pin 1 : ground
Input impedance : 1 kOhms
Input level, min gain : 0 dBFS is obtained with a -3 dBu signal at the XLR input
Input level, max gain : 0 dBFS is obtained with a -54 dBu signal at the XLR input
Frequency response : from 10 Hz to 46 kHz within 3 dB (96 kHz sample rate), min gain
Dynamic range : 101 dB(A), min gain
Phantom power : 48V / -4V
Line Inputs 3-4 (unbalanced)
Unbalanced, TRS 3.5 mm stereo Jack and RCA
Input impedance : 2.1 kOhms
Nominal input level : -3.5 dBV (-10 dBV with 6.5 dB of headroom)
Frequency response : from 16 Hz to 46 kHz within 3 dB (96 kHz sample rate)
Dynamic range : 93 dB(A)
Line Outputs (balanced)
2 x balanced, 3-pin XLR, Pin 2 : hot / Pin 3 : cold / Pin 1 : ground
Floating balanced outputs with automatic level compensation when working in unbalanced mode
Output impedance : 150 Ohms balanced
Output level : 0 dBFS corresponds to +12 dBu
Frequency response : from 5 Hz to 44 kHz within 3 dB (96 kHz sample rate)
Dynamic range : 100 dB(A)
Channels crosstalk : 88 dB(A)
Stereo Output (unbalanced)
Unbalanced, TRS 3.5 mm stereo Jack
Output impedance : 150 Ohms balanced
Output level : 0 dBFS corresponds to +12 dBu
Frequency response : from 5 Hz to 44 kHz within 3 dB (96 kHz sample rate)
Dynamic range : 100 dB(A)
Channels crosstalk : 88 dB(A)
Headphones Output
TRS 3.5 mm stereo Jack
Output impedance : 22 Ohm
Output level : 26 mW/channel (32 Ohm load)
Frequency response : from 15 Hz to 44 kHz within 3 dB (96 kHz sample rate)
Dynamic range : 100 dB(A)
We are authorized dealers for all these brands. Click a logo to see our listings.
ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge.
If an item is refused by the buyer, ship costs to and from the destination in which the item was shipped to are not refunded. Please note the cost of return shipping is usually double of what the original ship cost.
Shipping is not free to HI, AK, and PR. FREE SHIPPING ONLY TO THE LOWER 48 STATES.
We provide free shipping to the contiguous 48 United States, on most items.
Shipping fees to ALL OTHER LOCATIONS will be calculated individually and added to customer invoices. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. In the event that the customer refuses a shipment, all shipping costs to and from the country or State in which the item was shipped to are not refunded. Please note, in some cases return shipping can cost as much as double the original ship cost.
We operate a 30-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. We charge a 15% restocking fee on returned items only if the item is clearly used and or the packaging is tarnished. A 10% re-stock is more likely if the unit comes back in mint condition. The ship cost we paid to ship your item will be deducted as well. In some cases restock fees and ship costs can be applied as a store credit.
We will exchange a defective unit for the same unit within the 30-day period. After that period, you will have to work directly with the manufacturer for warranty service.
Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, harmonicas or other items that you wouldn't want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. "Special Orders", discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order.
Please contact us for a Return Authorization before returning any items.